HOW TO PLACE YOUR ORDER
- Select Your Service: To create your TV/Film mixing and mastering package, first select the duration of your film. Next, choose the number of tracks you will be sending for mixing.
- Package Customisation: Select if you require a Dolby Atmos master, 5.1 or any other variation of surround formats. As well as mixed stems of the finished film for further post production and editing.
- Checkout & Upload: After selecting your package, add it to your basket and complete the checkout. Once payment is confirmed, upload your files and details using the upload form in your account here. Don’t forget to include your order number for easy reference.
- Processing: As soon as we receive your payment and files, we will begin working on your order. We will discuss deadlines and turnaround times with you and arrange a suitable time for a detailed conversation about your project.
- Final Delivery: When your order is completed, your files will be delivered via email. If any revisions or edits are needed, you can discuss them with the engineer. Once you’re satisfied with the final result, your order will be marked as complete.
Under the TV / Film Duration tab, you can select the total runtime of your film. This service caters for both short films and feature-length productions.
Under the Track Count tab you can select the amount of tracks you will be sending to be mixed. Tracks can include dialogue, sound effect, foley, music and so on.
- Include as much or as little processing on your audio tracks / stems as you feel is essential.
- Any creative effects that define your sound should remain printed in the audio files.
- Leave EQ active if it contributes to your intended tone. Any corrective EQ is best left active.
- Bypass compression unless it’s shaping the sound in a meaningful way or holding the audio together.
- Reverb can be removed if you’d prefer us to use specific room reverb that fits the scene.
- You can leave panning in place, but removing it gives us more flexibility to pan the audio based on the visuals on screen.
- All dialogue should be cleaned and edited before mixing, ensure any unwanted artefacts or dialogue is removed from the dialogue tracks.
- Always include a rough audio and video mix as a reference. This helps us confirm playback accuracy and ensure all creative processing is represented correctly.
+ Dolby Atmos / 5.1 Master
By adding + Dolby Atmos / 5.1 Master to your order, you will receive back the Dolby Atmos master file as well as 5.1 surround sound formats and any additional surround formats which can be used for playback of your film in Dolby Atmos and surround sound.
By adding + Mixed Stems to your order, you will receive all stems as they are mixed during the session. This includes mixed buses for dialogue, atmos, sound effects (SFX), and music. The playback of the mixed stems will accurately reflect the finished stereo mix of the film. Having mixed stems provides a valuable backup of your film's mix, ensuring you have all essential elements at your disposal.
WHAT IS TV / FILM MIXING & MASTERING?
Film mixing and mastering are crucial stages in the post-production process of filmmaking, primarily focused on the audio elements of a film. Film mixing, also known as sound mixing or re-recording mixing, is the process of combining and adjusting all the individual audio elements of a film to create a final, balanced soundtrack. This includes dialogue, music, sound effects, and ambient sounds. The goal of film mixing is to ensure that the audio elements work together harmoniously and contribute to the overall storytelling experience. It involves adjusting the levels, panning, and EQ of each sound element to achieve clarity, realism, and emotional impact.
The primary purpose of film mastering is to optimise the audio for the specific requirements of different playback systems and platforms. This includes ensuring that the audio meets industry standards, is properly balanced, and is compatible with the technical specifications of the chosen distribution medium.
SPEAKERS / MONITORS
4x PMC Ci30
4x PMC Ci65
7x PMC Ci140
2x PMC Ci140 Sub
Tantrum Audio Angry Box
CONVERTERS
Avid MTRX Studio (TB)
Lynx Aurora N 32 HD
Lynx Aurora N 16 HD
Burl B-16 Mothership
Burl BAD4M
Burl BDA4M
2x FreqPort FreqInOut
UAD Apollo Arrow
OTHER
Trinnov MC-Pro Dante 64
Martin Logan MDA16
Martin Logan MDA8
Rupert Neve RNHP
Flock Audio Patch
OTHER PROCESSING
5x McDSP APB 16
2x FreqPort FreqTube
2x UAD Octo Satellite
Tegeler Audio Raumzeitmaschine
IGS Springtime
CONSOLE
Solid State Logic Oracle
Wes Audio NG Sum Box
Wes Audio NG Leveler
Avid S4
EQ'S
Hendy Amps Michelangelo XL
Blackbox HG-Q
Cranborne Audio Carnaby HE2 Legacy
Cranborne Audio Carnaby HE2
Wes Audio NG Tube EQ
13x Wes Audio Hyperion
2x Wes Audio Prometheus
24x Solid State Logic E/G Series EQ
Bettermaker Mastering EQ
COMPRESSORS
Hum Audio LAAL
Cranborne Audio Bricklane MC4
Wes Audio NG Tube Comp
Wes Audio NG Bus Comp
Wes Audio NG78
13x Wes Audio Rhea
8x Wes Audio Pandora
8x Wes Audio Dione
Bettermaker Darthlimiter
Bettermaker Bus Compressor
Zombie Rec Mammut
Antelope Audio A4-1B
FEATURE FILMS
FILM TRAILERS
WHAT OUR CLIENTS SAY ABOUT US
What sets Audio Animals apart from other companies is our deep understanding of our clients and their needs. We know you want revisions included in the service. We understand the importance of fast, reliable turnaround times. We ensure you only pay for the services you require, without any unnecessary add-ons. Our focus on truly understanding our clients allows us to provide a service tailored specifically to your needs.
Jason Stevens
"Brilliant end result, we are all super happy with how everything turned out. Watching the finished film is like I am experiencing it for the very first time. Top job, thank you!"
Josh Forshaw
"It's so nice to work with people who care as much as me about my film. I met with Paul to discuss the project in detail and he even attended the premier to celebrate the launch."
Frame Byte Studios
“Audio Animals delivered a superb remix for both the Piercing the Veil film and trailer. The added depth, clarity and overall impact really elevated the sound while staying true to the original feel. A pleasure to work with you and look forward to our next project.”
David Anthony
"Couldn't be happier with the outcome of my short film. Paul took it from sounding like a budget film into a Hollywood blockbuster. I can't thank you enough for all your help with."
TV / FILM MIXING & MASTERING FAQ
What Studio Is TV / Film Mixing & Mastering Performed In?
All TV and film mixing and mastering is performed in Studio B by Paul Ashmore. Studio B has been fitted 7.1.6 Dolby Atmos system including Trinnov optimisation for perfect audio playback. Studio B is a purpose-built, state-of-the-art mixing and mastering studio featuring both an Avid S4 and an SSL Oracle console.
Turnaround time greatly depends on the project and how much is involved. We always recommend leaving at least a month for the entire process to be completed on larger film. Revisions can often take some time depending on the film. If you have a deadline please contact us beforehand to discuss if the deadline is possible.
How Many Revisions Can I Make?
We do not limit the amount of revisions you can make with film and TV projects. We understand after working on various film and TV projects there are often a lot of revisions required by multiple different people and departments within the project. For this reason we don't feel it is helpful to limit the amount of revisions.
Can I Speak With The Engineer Before Placing My Order?
Yes, before we start your project we can discuss anything you may need to talk about, over the phone or via a Zoom call. A full list of contact information can be found here.
Can I Get A Bespoke Quote Or An Independent Film Discount?
Yes, we understand different films have different budgets and that projects need to stick to a certain budget. If you would like to discuss your project and budget please contact us using the contact form here.
How Should I Send My Files?
Your stems can be uploaded safely and securely via our upload form in your account here. Leave any processing you may have active if it is part of the film.
- File Type: Wav
- Bitrate: 16/24/32bit
- Sample Rate: 48kHz - 96kHz
- Headroom: -3db / -6db
It is important to separate stems as much as possible. We advise each actor has their own stem and no audio overlap. A typical small film will break down as follows.
- Atmos (2 Stems)
- Backing Noise
- Foley (3 Stems)
- Sound Effects (3 Stems)
- Music
- Dialogue (10 Stems)
How Far Should I Take The Audio Mixing On My Film?
We advise taking the mix as far as you can so that you have a finished draft of the movie ready to mix.
Should I Send The Finished Film With The Stems?
Yes, we will need the finished film as a reference for where to pan sound and to be able to fit the audio to the mood on the on screen visuals. The film must not be subject to change once mixing has begun.
Can I Put Multiple Different Sounds On One Stems?
Yes, as long as they do not ever overlap with another stem. This allows you to keep the stem count to a minimum.
When Do I Pay For The Service?
Orders / payment must be made before work on your song begins. This ensures our engineers, take the necessary time and care required to return you the very best master.
Your mixes can be uploaded safely and securely via our upload form in your account here. Bypass any compression / limiting you may have on your master bus before printing your mix ready for mastering.
- File Type: Wav
- Bitrate: 16/24/32bit
- Sample Rate: 44,1kHz - 96kHz
- Headroom: -3db / -6db
What Will I Receive Back?
Stereo masters are returned in the following formats, if you require any others, please let us know:
- 96kHz 24bit wav
- 48kHz 24bit wav
Dolby Atmos masters are returned in the following formats:
- 48kHz 24bit wav ADM
- 96kHz 24bit wav ADM
- 96kHz 24bit wav binaural mix
- 96kHz 24bit wav re-renders
- 768kbs mp4
Can I Credit Audio Animals For The Mastering?
Yes, if you would like to credit Audio Animals for the mastering of your music you can do so. Please credit Audio Animals Ltd and either Paul Ashmore or Nick Burchall as the engineer. This is not required but is greatly appreciated.
